Generating worlds, exploring them, losing the thread.
Collin Piprell 
Posted from under my bed: Totalitarianism rools, OK! Don’t see any way around it, given the politics of fear combined with the ever-more extensive collection and storage of data subject to interpretation by ever-more sophisticated programs.
Alternatively, doesn’t it give you a cosy feeling to know that the Powers That Be are doing such a good job of protecting us from all that bad stuff out there? Especially when we know these Powers are so enlightened and so consistently benign. … Read more
J.P. Donleavy, an early literary hero of mine, was quoted in Playboy (May, 1979) as saying, “Writing is turning one’s worst moments into money.”
Would that this were so. Meanwhile, another spin on the essence of writing is going the rounds on Facebook:
.
In other quarters, writers instead turn whiskey into piss and engage in binge writing in the intervals between their alchemical endeavors. (I encountered the expression “binge writing” listening to a Letterman interview … Read more
So I’m sitting here on my balcony with this commanding view of rich folks’ gardens, assailed by birdsong from left and right, and I’m bonding with my Bali pig.
In fact I’m multitasking. I’m reading in the sun, improving my mind though not so much I know better than to work on a tan at the same time.
I’m drinking tea—my souvenir sencha from Japan—a rumored antidote to damaged chromosomes. I remain skeptical in this regard, but trust the placebo … Read more
Back before New Year’s, I posted a couple of blogs that meant to ease writers into the process of writing, rather than only talking about writing. I was subsequently sidetracked by the need to outline some flaws in the Scheme of Things, but now I’m back into this solipsistic writing workshop. But all we’ve discussed so far is only part of the story. Now I’m going to talk about The Muse Effect.
“Wherever do you find the discipline?” they ask. … Read more
In I Am a Strange Loop, an attempt to show how consciousness arises, Douglas Hofstadter at one point is explaining how Kurt Gödel deflates the grand ambition of Bertrand Russell and Alfred North Whitehead’s Principia Mathematica.
I’m reading this explanation, and not following it at all—I’m that mathematically adept I still have problems with fractions—when I come across the following passage, which teases me with the notion I might finally be getting a glimmer.
“This may sound a … Read more
Scratch the Mayan Apocalypse. One less thing to worry about, eh?
Of course we still have all the political issues du jour—left vs right, conservatives/conservatives1/conservatives2 vs liberals/liberals1/liberals2, pro-gay marriage vs anti-gays, legalize ganja vs leave the trade to the mobsters, red vs yellow, orange vs chartreuse, etc., etc.
Beneath these lurk more fundamental issues, among them these:
Where do stories come from?
In the last post, we looked at stories as products of a process. The writer doesn’t proceed like this: “I have this story in my head, and now I’m going to record it in written form.” The text isn’t a given that merely awaits transcription. It’s often—perhaps usually—the product of a writing activity. It didn’t exist before being realized in that activity, not even in the mind of the writer. In such cases the … Read more
I wanted to be a writer from the time I was a kid—the notion just smacked of romance and freedom. It also had the advantage of annoying my father, who wanted me to be an engineer. But I was 40 years old before I wrote anything for publication.
Twenty years before that, having just spent a couple of years working underground in an Ontario nickel mine, and having more money than I’d ever seen in one pile before, I … Read more
Today I present two gnomic items of writerly advice. Subsequent posts will expand upon them.
These are aimed first of all at myself, who knows better but, it seems, keeps forgetting. In fact, in drafting this second of a series of futuristic novels, the sequel to Syn, I’ve been committing these most basic of errors.
1. Don’t think. Write.
2. Don’t wait till you know what your story is before you start writing it.
3. Try to be … Read more
“Good writers have two things in common: they prefer to be understood rather than admired; and they do not write for knowing and over-acute readers.”
– Friedrich Nietzsche
1. Expanding on Nietzsche’s insight
The writerly impulse to be admired rather than understood is generally associated with certain stylistic horrors.
Right away, seeking the admiration of “knowing and over-acute readers,” the unwitting writer serves up long and complex sentences like a tangle of spaghetti. The more clauses the better, eh? And … Read more
