Generating worlds, exploring them, losing the thread.
In an earlier post, we had a look at Jack Flowers’ tattoos in Theroux’s Saint Jack, set in 1950s Singapore. Now we get a range of early-1990s attitudes to tattoos as described by David Foster Wallace in his novel Infinite Jest, which in parts can safely be described as noir. Very noir, in fact. In this excerpt, we find a broader sample population of tattoo aficionados, a variety of urban flotsam and jetsam conveniently washed up together … Read more
“The quality of a modern movie is inversely related to the quantity of money available to make it.” (Arguably The Revenant is an exception to this rule.)
Whatever. Ellie, Leary‘s second wife, soon extended her original natural law to describe political behaviour. She says that in so-called democracies — roughly speaking, systems of government incorporating elected representatives of the population — certain invariant laws and corollaries apply:
* The effectiveness of a political message is inversely related to the … Read more
Not many years ago — and here we speak only of Western societies — having a tattoo assimilated you to a noirish rabble of able-bodied seamen, Foreign Legionnaires, ex-cons, circus performers, bikers, and boozers with a propensity for finding themselves in the vicinity of waterfront tattoo parlors. 
Read on for a look at early-1950s attitudes towards tattoos, and the roles tatts played in Paul Theroux’s Saint Jack, a novel set in 1950s Singapore and first published in … Read more